Tyga feature “Like Mariah” is a good example, with novice listeners getting a sunny slice of pop-R&B and veterans smiling at the “Always Be My Baby” sample that anchors the song. Younger, less knowledgeable fans will enjoy the melodies and singing on their own merit, and savvier listeners will chuckle at the obvious sonic references and flashes of inspiration.
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Like a kids’ movie that’s been stuffed with subliminal jokes for parents, Reflection is an album with multiple layers. There are a few guest verses that feel tacked on to appease commercial interests, but they’re ultimately unnecessary when given the chance, it’s obvious that the girls are comfortable with hip-hop, with the Beyoncé-esque snarl and purr of “Reflection” serving as ample proof. Over the course of the album, the group moves from percussive, horn-stabbed black pop (excellent lead single “BO$$”) to squelching, simple knockoffs of producer DJ Mustard’s signature sound (“Top Down,” the title track) to more traditional piano-led R&B (“Everlasting Love,” “We Know”), and capably handles each new style.
More importantly, they’re agile, and have an intuitive understanding of how their differences in vocal texture and range can impact their songs by introducing surprise and tension.
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This is by no means an an album standing at the vanguard of contemporary pop and R&B, but it doesn’t need to be: four of the group’s five members are still teenagers, after all, and it’s perfectly natural that they’ve spent their first full album together mimicking recent high points in their favorite genres.
Reflection is Fifth Harmony’s debut full-length - an EP, the sprightly Better Together, came out in October 2013 supporting debut single “Miss Movin’ On” - and it covers a surprising amount of stylistic ground.
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